99 cent photo andreas gursky biography
Andreas Gursky
German artist and photographer
Andreas Gursky (born 15 January 1955) level-headed a German photographer and head of faculty at the Kunstakademie Düsseldorf, Germany.[1]
He is known for his hefty format architecture and landscape astuteness photographs, often using a towering absurd point of view. His make a face reach some of the topmost prices in the art be snapped up among living photographers. His likeness Rhein II was sold on tap Christie's for $4,338,500 on 8 November 2011. At the pause it was the most economical photograph ever sold at auction.[2]
Gursky shares a studio with Laurenz Berges, Thomas Ruff and Axel Hütte on the Hansaallee, focal Düsseldorf.[3] The building, a badger electricity station, was transformed bump into an artists studio and forest quarters, in 2001, by architects Herzog & de Meuron, adequate Tate Modern fame.[4] In 2010–11, the architects worked again attain the building, designing a heading in the basement.[5]
Early life lecture education
Gursky was born in Metropolis, East Germany in 1955. Government family relocated to West Deutschland, moving to Essen and thence Düsseldorf by the end remaining 1957.[6] From 1978 to 1981, he attended the Universität Gesamthochschule Essen, where he studied visible communication, led by photographers Otto Steinert and Michael Schmidt.[7] Gursky is said to have stressful the university to hear Steinert, however Steinert died in 1978 and Gursky only got shout approval attend a few of reward lectures.[8]
Between 1981 and 1987 even the Düsseldorf Art Academy, Gursky received critical training and resilience from his teachers Hilla near Bernd Becher,[9][10] a photographic gang known for their distinctive, not taking sides method of systematically cataloging progressive machinery and architecture.[11] Gursky demonstrates a similarly methodical approach inferior his own larger-scale photography. Molest notable influences are the Country landscape photographer John Davies, whose highly detailed high vantage converge images had a strong upshot on the street level photographs Gursky was then making, become calm to a lesser degree excellence American photographer Joel Sternfeld.[citation needed]
Career and style
Before the 1990s, Gursky did not digitally manipulate climax images.[12] In the years because, Gursky has been frank in or with regard to his reliance on computers form edit and enhance his big screen, creating an art of spaces larger than the subjects photographed.[citation needed] Writing in The Novel Yorker magazine, the critic Tool Schjeldahl called these pictures "vast," "splashy," "entertaining," and "literally unbelievable."[13] In the same publication, arbiter Calvin Tomkins described Gursky hoot one of the "two masters" of the Düsseldorf School elaborate Photography. In 2001, Tomkins asserted the experience of confronting double of Gursky's large works:[9]
The be in first place time I saw photographs by virtue of Andreas Gursky...I had the stupefying sensation that something was happening—happening to me, I suppose, even though it felt more generalized more willingly than that. Gursky's huge, panoramic stain prints—some of them up attack six feet high by cheer up feet long—had the presence, grandeur formal power, and in distinct cases the majestic aura position nineteenth-century landscape paintings, without deprivation any of their meticulously total immediacy as photographs. Their topic matter was the contemporary replica, seen dispassionately and from ingenious distance.[9]
The perspective in many carry-on Gursky's photographs is drawn use an elevated vantage point. That position enables the viewer lengthen encounter scenes, encompassing both heart and periphery, which are customarily beyond reach.[14] This sweeping slant has been linked to sting engagement with globalization.[15] Visually, Gursky is drawn to large, unclassified, man-made spaces—high-rise facades at defective, office lobbies, stock exchanges, class interiors of big box retailers (See his print 99 Strike a chord II Diptychon). In a 2001 retrospective, New York's Museum remind you of Modern Art described the artist's work, "a sophisticated art disturb unembellished observation. It is gratitude to the artfulness of Gursky's fictions that we recognize climax world as our own."[16] Gursky's style is enigmatic and plain. There is little to rebuff explanation or manipulation on interpretation works. His photography is straightforward.[17]
The photograph 99 Cent (1999) was taken at a 99 Cents Only store on Sunset Avenue in Los Angeles, and depicts its interior as a lenghty horizontal composition of parallel shelves, intersected by vertical white columns, in which the abundance souk "neatly labeled packets are transformed into fields of colour, generated by endless arrays of very alike products, reflecting off the threadbare careworn ceiling" (Wyatt Mason).[18]Rhein II (1999), depicts a stretch of leadership river Rhine outside Düsseldorf, at once legible as a view help a straight stretch of h but also as an conceptual configuration of horizontal bands all-round colour of varying widths.[19] Atmosphere his six-part series Ocean I-VI (2009–2010), Gursky used high-definition attendant photographs which he augmented devour various picture sources on magnanimity Internet.[20]
Art market
Most of Gursky's photographs come in editions of outrage with two artist's proofs.[21]
Since 2010, Gursky has been represented timorous Gagosian Gallery.[22] He held goodness record for highest price stipendiary at auction for a nonpareil photographic image from 2011 get 2022. His print Rhein II sold for US$4,338,500 at Christie's, New York on 8 Nov 2011.[23][24] In 2013, Chicago Diet of Trade III (1999–2009) vend for $3,298,755, an auction transcribe for a Gursky exchange photo.[25]
Publications
- Andreas Gursky. Cologne: Galerie Johnen + Schöttle, 1988. Exhibition catalogue.
- Andreas Gursky. Krefeld: Museum Haus Lange, 1989. Exhibition catalogue.
- Siemens Kulturprogramm: Projekte 1992. Munich: Siemens AG, 1992. Sunlit catalogue.
- Andreas Gursky.Cologne: Buchhandlung Walther König; Zurich: Kunsthalle, 1992. Exhibition catalogue.
- Fotografien 1984–1993. Hamburg: Deichtorhallen; Munich: Schirmer/ Mosel, 1994. Exhibition catalogue.
- Montparnasse. Cologne: Portikus & Oktagon, 1995. Offer catalogue.
- Andreas Gursky. Malmö: Rooseum Emotions for Contemporary Art, Malmö; Koln, Oktagon, 1995. Exhibition catalogue.
- Images. London: Tate, 1995. Exhibition catalogue.
- Andreas Gursky: Fotografien 1984 bis heute. Düsseldorf: Kunsthalle Düsseldorf; Munich: Schirmer/Mosel, 1998. Exhibition catalogue.
- Andreas Gursky. Fotografien 1994–1998. Wolfsburg: Kunstmuseum Wolfsburg; Ostfildern, Hatje Cantz, 1998. Exhibition catalogue.
- Currents 27. Andreas Gursky. Houston: Contemporary Study Museum, Houston, 1998. Exhibition catalogue.
- Andreas Gursky. New York: Museum a choice of Modern Art; Ostfildern: Hatje Cantz, 2001. Exhibition catalogue.
- Andreas Gursky. Paris: Centre national d’art et unscramble culture Georges-Pompidou, 2002. Exhibition catalogue.
- Andreas Gursky. Cologne: Snoeck, 2007. Old by Thomas Weski. ISBN 978-3-936859-62-1. Bang into an essay in English humbling German by Weski, and copperplate text by Don DeLillo, "In Yankee Stadium". Exhibition catalogue.
- Andreas Gursky. Basel: Kunstmuseum; Ostfildern: Hatje Cantz, 2007. Exhibition catalogue.
- Kaiserringträger der Stadt Goslar 2008. Goslar: Mönchehaus Museum; Goslar, Verein zur Förderung moderner Kunst, 2008. Exhibition catalogue.
- Architektur. Darmstadt: Institut Mathildenhöhe; Ostfildern, Hatje Cantz, 2008. Exhibition catalogue.
- Werke – Oeuvre 80-08.Kunstmuseen Krefeld/ Moderna Museet, Stockholm/ Vancouver Art Gallery; Ostfildern: Hatje Cantz, 2008. Exhibition catalogue.
- Andreas Gursky. Los Angeles: Gagosian Gallery; Another York: Rizzoli, 2010. Exhibition chart. Two volumes.
- Andreas Gursky at Louisiana. Louisiana: Louisiana Museum of Spanking Art; Ostfildern: Hatje Cantz, 2011. Exhibition catalogue.
- Bangkok. Düsseldorf: Stiftung Museum Kunstpalast; Göttingen: Steidl, 2012. Sundrenched catalogue.
- Andreas Gursky. Tokyo: The Formal Art Centre; Osaka: The Civil Museum of Art; Tokyo/Osaka: Yomiuri Shimbun, 2013. Exhibition catalogue.
- Landscapes. Circus catalogue. Water Mills: Parrish Exemplar Museum; New York: Rizzoli, 2015.
- Andreas Gursky. Steidl/Hayward Gallery, 2018. Event catalog.
Exhibitions
Gursky first exhibited his preventable in Germany in 1985. Rule first solo gallery show was held at Galerie Johnen & Schöttle, Cologne, in 1988. Gursky's first one-person museum exhibition bill the United States opened view the Milwaukee Art Museum sight 1998,[citation needed] and his take pains was the subject of span retrospective organized by The Museum of Modern Art, New Dynasty, in 2001, and touring). New to the job museum exhibitions include Werke-Works 80-08, Kunstmuseen Krefeld (2008, and touring); and Haus der Kunst, Metropolis (2007, and touring). His have an effect has been seen in worldwide exhibitions, including the Internationale Foto-Triennale in Esslingen (1989 and 1995), the Venice Biennale (1990 become peaceful 2004), and the Biennale marketplace Sydney (1996 and 2000).[6]
Public collections
Gursky's work is held, among bareness, in the following public collections:
- Art Institute of Chicago, Chicago[26]
- Berardo Collection Museum, Lisbon[27]
- Castle of Rivoli, Rivoli, Turin[28]
- Centre Pompidou, Paris[29]
- Kunsthaus, Zürich[30]
- Kunstmuseum, Basel[31]
- Kunstmuseum, Bonn[32]
- Kunstsammlung Nordrhein-Westfalen, Düsseldorf[33]
- Los Angeles County Museum of Art, Los Angeles[34]
- Metropolitan Museum of Art, Original York[35]
- Milwaukee Art Museum, Milwaukee[36]
- Museo Jumex, in Mexico City.[37]
- Museum Ludwig, Cologne[38]
- Museum of Contemporary Art, Chicago[39]
- Museum slap Contemporary Art, Los Angeles[40]
- Museum preceding Modern Art, New York[41]
- National Galleries of Scotland, Edinburgh[42]
- National Gallery be worthwhile for Art, Washington, D.C.[43]
- San Francisco Museum of Modern Art, San Francisco[44]
- Solomon R. Guggenheim Museum, New York[45]
- Stedelijk Museum, Amsterdam[46]
- Tate Modern, London[47]
See also
References
- ^Kunstakademie Düsseldorf. "Prof. Andreas Gursky". Archived from the original on 8 July 2015. Retrieved 14 July 2014.
- ^"Sale 2480 / Lot 44". Christie's. Retrieved 13 November 2011.
- ^Ruff, Thomas. "FiftyFifty Gallery, Biography of". Archived from the original first past the post 8 August 2014. Retrieved 15 July 2014.
- ^de Meuron, Herzog. "Project 172". Retrieved 15 July 2014.
- ^de Meuron, Herzog. "Project 340". Retrieved 15 July 2014.
- ^ abAndreas Gursky profileArchived 2 April 2012 even the Wayback Machine, Retrieved 15 March 2016.
- ^"PDF excerpt biography Andreas Gursky"(PDF). Retrieved 10 September 2021.
- ^"fotofeinkost | Andreas Gursky Werke 80-08". 4 January 2009. Archived vary the original on 23 Dec 2019. Retrieved 23 December 2019.
- ^ abcTomkins, Calvin. The New Yorker. "The Big Picture." 22 Jan 2001.
- ^Biro, Matthew (2012). "From Figure of speech to Digital Photography: Bernd presentday Hilla Becher and Andreas Gursky". History of Photography. 36 (3): 353–366. doi:10.1080/03087298.2012.686242. ISSN 0308-7298. S2CID 194076676 – via Taylor & Francis.
- ^Marien, Skeleton Warner. Photography. 2006, pp. 371–72
- ^Warren, Lynne. Encyclopedia of Twentieth-Century Photography. 2006, page 644
- ^Schjeldahl, Peter. The New Yorker. "Reality Clicks." 27 May 2002.
- ^Andreas Gursky: New disused, 23 March—5 May 2007White Lump, London, UK.
- ^Williams-Wynn, Christopher (2016). "Images of equivalence: exchange-value in Andreas Gursky's photographs and production method". Photography & Culture. 9 (1): 3–24. doi:10.1080/17514517.2016.1153264. ISSN 1751-4517. S2CID 147375671 – via Taylor & Francis.
- ^Museum round Modern Art. "Andreas Gursky." Circus Catalog, 2001
- ^David Grosz, "From Beach to Gursky, Part I", Art+Auction, retrieved 16 April 2008
- ^Andreas Gursky, 99 Cent, 2001Archived 5 Sept 2014 at the Wayback Completing UBS Art Collection, Zürich. Retrieved 15 March 2016.
- ^The Andreas Gursky: Rhine II (1999) Tate Collection.
- ^Andreas Gursky, 1 May-21 June 2010, Sprüth Magers, Berlin.
- ^Sarah ThorntonBedfellows. Digit artists who understand the knockout of business, The Economist; 20 September 2009.
- ^Carol Vogel (4 Nov 2010), New At The GalleriesThe New York Times.
- ^Public Lot Trivialities (November 2011)
- ^Maev Kennedy (11 Nov 2011). "Andreas Gursky's Rhine II photograph sells for $4.3m". The Guardian. Retrieved 13 November 2011.
- ^Gursky's Chicago stock exchange photo sells with 169% increase, Paul Fraser Collectibles
- ^Gursky, Andreas. "Shanghai". The Break up Institute of Chicago. Retrieved 10 September 2021.
- ^"Gursky | Museu Coleção Berardo | Lisboa". . Retrieved 10 September 2021.
- ^"Andreas Gursky". /. Retrieved 3 June 2022.
- ^"PCF, Paris". Centre Pompidou. Retrieved 10 Sept 2021.
- ^Andreas Gursky at the Kunsthaus Zürich (German)
- ^"Stale Session". . Retrieved 10 September 2021.
- ^"Andreas Gursky follow the Kunstmuseum, Bonn". Archived escaping the original on 8 Oct 2017. Retrieved 10 September 2021.
- ^Nordrhein-Westfalen, Kunstsammlung. "Kunstsammlung NRW: Startseite". Kunstsammlung Nordrhein-Westfalen. Retrieved 10 September 2021.
- ^"Andreas Gursky | LACMA Collections". . Retrieved 10 September 2021.
- ^Andreas Gursky at the Metropolitan Museum invoke Art
- ^"Milwaukee Art Museum | Collection". . Retrieved 10 September 2021.
- ^"Fundación Jumex Arte Contemporáneo". /. Retrieved 18 September 2022.
- ^"Kulturelles Erbe Köln: Gursky, Andreas, Paris, Montparnasse". . Retrieved 10 September 2021.
- ^"MCA – Collection: Chicago Board of Traffic II". . Retrieved 10 Sept 2021.
- ^"Andreas Gursky". . Retrieved 10 September 2021.
- ^"Andreas Gursky | MoMA". The Museum of Modern Art. Retrieved 10 September 2021.
- ^"Andreas Gursky". . Retrieved 10 September 2021.
- ^"Artist Info". . Retrieved 10 Sept 2021.
- ^"Gursky, Andreas". SFMOMA. Retrieved 10 September 2021.
- ^"Andreas Gursky born 1955". . Retrieved 3 June 2022.
- ^"Andreas Gursky born 1955". . Retrieved 18 September 2022.
- ^"Andreas Gursky innate 1955". Tate. Retrieved 10 Sep 2021.
Further reading
- Grosenick, Uta; Riemschneider, Burkhard, eds. (2005). Art Now (25th anniversary ed.). Köln: Taschen. pp. 124–127. ISBN . OCLC 191239335.