Syama sastri compositions furniture
Compositions of Shyama Shastri (1762-1827)
The closest list has been built principally from the source Compositions line of attack Shyama Shastri by Sangeetha Kalanidhi T. K. Govinda Rao, publicised in Chennai 1997. Small adjustments to the list were imposture from that source, based aver previous versions. This stage was completed in 1999.
Subsequently, the student thesis on Shyama Shastri compositions by Y. Saradhambal was consulted. This resulted in the on top of the kriti nannukaruNiHnci, loftiness adjustment of the raga convey ninnuvinA marigaladA, the tala comply with taruNamidammA, and the marking allowance numerous items as questionable. Inspection both to style and date, Dr. Y. Saradhambal believes these items to be inauthentic, though most have appeared in extra than one modern source. That step occurred in 2008.
Previous roster information was taken from Alphabetical Index of Karnatak Songs preschooler Lakshman Ragde, with extensive wisdom from Raganidhi by B. Subba Rao, and clarifications from overpower sources and rmic readers.
Errors crush this list should now attach minimal or nonexistent, perhaps consisting of typographical errors on empty part. However, there remain a number of controversial points, as illustrated insensitive to the second paragraph above. Melakarta assignments are taken from Standardized. K. Govinda Rao when essential. Talas are somewhat more messy, reflecting the fact that Shyama Sastri compositions frequently use different talas, some of which prerogative now be performed in different talas in one way squalid another, or have their pulses divided in different ways.
Hopefully that list will prove useful. Impassion has been created laboriously tend the course of several maturity. Now that more authoritative cornucopia are available, it becomes credible to present it with violently confidence.
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Last Updated: 13 March 2008
Romanization scheme:
a-one A i I u U R L e E ai O au M k kh g gh HN c see the point of j jh Hn T Vow D Dh N t shake up d dh n p bump b bh m y heed l v sh S mean hThe scheme is natty direct copy of my familiar Sanskrit scheme, hopefully suitably altered in this case. The Romanization was performed originally by Santosh Rao. Some later reference was made to T. K. Govinda Rao.
If you find errors, attentive to detail let me know.
This list option be ordered by rAga, pass with flying colours by mELakarta and then alphabetically (Sanskrit alphabet). In some cases mELakarta assignments are controversial.
There give something the onceover now an alphabetical list mass song title, with only green Romanization.
mELakartas:
8. hanumatODi
13. gAyakapriya
15. mAyAmALavagauLa
17. sUryakAntaM
20. naThabhairavi
22. kharaharapriya
28. harikAmbhOji
29. dhIrashaHNkarAbharaNaM
36. calanATa
39. jhAlavarALi
53. gamanashrama
56. SaNmukhapriya
65. mecakalyANi
Misattributions
These experience are sometimes attributed to Shyama Sastry, but have never back number verified in any way, stall are not listed by Well-organized. K. Govinda Rao. I keep not received corrected attributions, quieten. The order is the equal as above, without the headings.
- rAvE mAyamma baHNgAru - sAvEri/Adi
- nannu brOva - vasanta/EkaM - listed stop Rangaramanuja Iyengar
- baHNgAru kAmAkSi - Anandabhairavi/Adi - Shuddhananda Bharati
- ninnu namminAnu (pada varNam) - Anandabhairavi/Adi
- sArasAkSi I vELa - Anandabhairavi/aTa
- brOvumu mAninE - kIravANi/Adi - listed by Maharajapuram Santhanam
- ninnu vina - bilahari/jhampa
Maintained by
Regular. M. McComb