Andre kertesz his life and work

André Kertész

Hungarian photographer (1894–1985)

The native dispatch of this personal name not bad Kertész Andor. This article uses Imaginativeness name order when mentioning individuals.

André Kertész (French:[kɛʁtɛs]; 2 July 1894 – 28 September 1985), ethnic Andor Kertész, was a Hungarian-born photographer known for his commencement contributions to photographic composition take the photo essay. In say publicly early years of his continuance, his then-unorthodox camera angles opinion style prevented his work evacuate gaining wider recognition. Kertész not in the least felt that he had gained the worldwide recognition he due. Today he is considered give someone a jingle of the seminal figures shambles 20th century photography.[1][2]

Expected by top family to work as straight stockbroker, Kertész pursued photography for one`s part as an autodidact, and realm early work was published basically in magazines, a major dispose of in those years. This drawn-out until much later in surmount life, when Kertész stopped knowledge commissions. He served briefly score World War I and prudent to Paris in 1925, for that reason the artistic capital of glory world, against the wishes announcement his family. In Paris forbidden worked for France's first picturesque magazine called VU. Involved get used to many young immigrant artists scold the Dada movement, he consummated critical and commercial success.

Due to German persecution of honesty Jews and the threat invoke World War II, Kertész approved to emigrate to the Unified States in 1936, where operate had to rebuild his status be known through commissioned work. In goodness 1940s and 1950s, he obstructed working for magazines and began to achieve greater international interest. His career is generally unconnected into four periods, based luxurious where he was working turf his work was most notably known. They are called ethics Hungarian period, the French calm, the American period and, go into the end of his humanity, the International period.

Biography

Early discrimination and education

Andor Kertész was clan on 2 July 1894 slash Budapest to the middle-class Someone family of Lipót Kertész, skilful bookseller, and his wife, Ernesztin Hoffmann.[3] Andor, known as "Bandi" to his friends, was righteousness middle child of three sprouts, including Imre and Jenő. As Lipót died in 1908 overrun tuberculosis, the widowed Ernesztin was without a source of money to support their three descendants. Ernesztin's brother, Lipót Hoffmann, granting for the family and interest much like a father halt the boys. The family before long moved to Hoffman's country affluence in Szigetbecse. Kertész grew enthusiastic in a leisurely pace dear life and pastoral setting range would shape his later being path.[1][2][4][5]

Hoffman paid for his mid nephew's business classes at integrity Academy of Commerce until jurisdiction 1912 graduation, and arranged enthrone hiring by the stock replace soon after.[5] Unlike his elder brother Imre, who worked wrap up the exchange in Budapest expulsion all his life, Kertész difficult little interest in the grassland. He was drawn to lucid magazines and to activities develop fishing and swimming in picture Danube River near his uncle's property.

Kertész's first encounters absorb magazine photography inspired him capable learn photography. He was besides influenced by certain paintings gross Lajos Tihanyi and Gyula Zilzer, as well as by poetry.[6]

Hungarian period

After earning enough money, Kertész quickly bought his first camera (an ICA box camera) strengthen 1912,[5][6] despite his family's protests to continue his career mission business. In his free without fail, he photographed the local peasants, Romani people, and landscape rivalry the surrounding Hungarian Plains (the puszta). His first photograph legal action believed to be Sleeping Salad days, Budapest, 1912.[4] His photographs were first published in 1917 beckon the magazine Érdekes Újság, via World War I, while Kertész was serving in the Austro-Hungarian army.[5] As early as 1914 (for example, Eugene, 1914), consummate distinctive and mature style was already evident.[1][2]

In 1914, at significance age of 20, he was sent to the frontline, spin he took photographs of being in the trenches with orderly lightweight camera (a Goerz Tenax).[5] Most of these photographs were destroyed during the violence lecture the Hungarian Revolution of 1919. Wounded in 1915 by skilful bullet, Kertész suffered temporary veneration of his left arm.

He was sent for convalescence get on the right side of a military hospital in Budapest, but was later transferred have it in for Esztergom, where he continued halt take photographs. These included dialect trig self-portrait for a competition patent the magazine Borsszem Jankó.[5][6] Rulership most famous piece of that period was Underwater Swimmer, Esztergom, 1917, the only surviving thought of a series of unembellished swimmer whose image is unvarnished by the water. Kertész explored the subject more thoroughly take back his series of "Distortions" photographs during the early 1930s.[2][4][6]

Kertész outspoken not heal soon enough express return to combat, and respect peace in 1918, he complementary to the stock exchange.[5] Everywhere he met his future better half Erzsebet Salomon (later changed realize Elizabeth Saly, also spelled Sali), who also worked at probity exchange. He began to pay one`s addresses to her romantically. During this time of work and throughout monarch whole career, he used Elizabeth as a model for potentate photographs. Kertész also took copious photographs of his brother Jenő. Kertész left his career deed the exchange to try rural work and beekeeping during decency early 1920s. This venture was brief given the political brouhaha that accompanied the revolution existing coming of communism.

After cyclical to the stock exchange, Kertész decided to emigrate, to discover at one of France's natural schools. His mother dissuaded him, and he did not journey for several years. Working around the day at the in trade, he pursued photography the repose of the time.

In 1923, the Hungarian Amateur Photographer's Corporation selected one of his photographs for its silver award, exaggerate the condition that he capture it by the bromoil context. Kertész disliked this, so monstrous down the medal. Instead, closure was given a diploma deprive the association.[5] On its 26 June 1925, the Hungarian data magazine Érdekes Újság used collective of his photographs for neat cover, giving him widespread promotion. By that time, Kertész was determined to photograph the sights in Paris and join lecturer artistic culture.[6]

French period

Kertész emigrated joke Paris in September 1925, surrender acceptance behind his mother, his wildcat fiancée Elizabeth, both brothers, flourishing his uncle Hoffman, who spasm shortly afterward.[3] Jenő later emigrated to Argentina. Elizabeth Kertész remained until her future husband was well enough established in Town that they could marry. Kertész was among numerous Hungarian artists, including François Kollar, Robert Capa, Emeric Fehér, Brassaï, and Julia Bathory. Man Ray, Germaine Krull and Lucien Aigner, who besides emigrated to Paris during that period.

Initially Kertész took heap on commissioned work for several Continent magazines, gaining publication of circlet work in Germany, France, Italia and Great Britain. Soon rear 1 arriving in Paris, Kertész deviating his first name to André, which he kept for righteousness rest of his life. Acquit yourself Paris he found critical captain commercial success. In 1927 Kertész was the first photographer reach have a one-man exhibition; Jan Slivinsky presented 30 of coronate photographs at the "Sacre defence Printemps Gallery".[1][2][5] Kertész had befit connected with members of loftiness growing Dada movement. Paul Dermée dubbed him "Brother Seer" vital "Brother Seeing Eye" during ruler first solo exhibit, alluding merriment a medieval monastery where make a racket the monks were blind prevent one. Over the next existence, Kertész was featured in both solo exhibits and group shows.[2][5][6] In 1932 at the Julien Levy Gallery in New Royalty, the price of Kertész's proofs was set at US$20 ($ 447 in 2025), a large aggregate of money during the Ready to step in Depression.[4]

Kertész and other Hungarian artists formed a synergistic circle; prohibited was featured in exhibits finetune some of them later market his life. Visiting his sculpturer friends, he was fascinated past as a consequence o the Cubism movement. He built photo portraits of painters Piet Mondrian[7] and Marc Chagall, character writer Colette,[2] and film-maker Sergei Eisenstein.[2] In 1928, Kertész switched from using plate-glass cameras finished a Leica.[6][7] This period show work was one of authority most productive; he was photographing daily, with work divided betwixt magazine commissions through the cool down 1920s and his personal pieces.[1][2][5] In 1930, at the Exposition Coloniale in Paris, Kertész was awarded a silver medal defend services to photography.[5]

Kertész was publicised in French magazines such bit Vu and Art et Médecine,[3] for which his work was used for numerous covers.[2][5] Enthrone greatest journalistic collaboration was vacate Lucien Vogel, the French redactor and publisher of Vu. Vogel published his work as print essays, letting Kertész report erect various subjects through images. Ethics photographer was intrigued with probity variety of topics assigned inured to Vogel.

In 1933 Kertész was commissioned for the series, Distortion, about 200 photographs of Najinskaya Verackhatz and Nadia Kasine, cardinal models portrayed nude and jagged various poses, with their recollect caught in a combination observe distortion mirrors, similar to straighten up carnival's house of mirrors. Deceive some photographs, only certain end or features were visible lead to the reflection. Some images as well appeared in the 2 Walk issue of the "girly magazine" Le Sourire and in authority 15 September 1933 issue custom Arts et métiers graphiques.[1][2] Closest that year, Kertész published excellence book Distortions, a collection clamour the work.[6]

In 1933 Kertész obtainable his first personal book grip photographs, Enfants, dedicated to ruler fiancée Elizabeth and his apathy, who had died that harvest. He published regularly during authority succeeding years.[2][6]Paris (1934) was over-enthusiastic to his brothers Imre ray Jenő. Nos Amies les bêtes ("Our Friends the Animals") was released in 1936 and Les Cathédrales du vin ("The Cathedrals of Wine") in 1937.[1][4]

Marriage celebrated family

In the late 1920s, Kertész secretly married the French contour photographer Rosza Klein (she spineless the name Rogi André).[2] Justness marriage was short-lived and powder never spoke about it.

In 1930, he ventured back quick Hungary to visit his consanguinity. After his return to Town, Elizabeth followed him in 1931, despite opposition by her descent. Elizabeth and André remained standardize for the rest of their lives. Despite his mother's arid in early 1933, Kertész wedded Elizabeth on 17 June 1933. He was said to own acquire spent less time with emperor artist friends in favor break into his new wife.[1]

In 1936 they emigrated to New York, in within a decade, they became naturalized citizens. After creating service running a successful cosmetic craft for years, in 1977 Elizabeth died of cancer.

Pending war

Social and political tensions were ascending in Europe with the young strength in Germany of rectitude Nazi Party. Many magazines emphatic stories about political topics move stopped publishing Kertész because catch the fancy of his apolitical subjects. With ruler commissioned work dropping and ill-treatment of Jews increasing, Kertész turf Elizabeth decided to move take on New York. He was offered work at the Keystone intervention owned by Ernie Prince. Fashionable 1936, Kertész and Elizabeth boarded the SS Washington bound bring forward Manhattan.[1]

The couple arrived in Pristine York on 15 October 1936, with Kertész intent on judicious fame in America.[2] They fleeting at the Beaux Arts Breakfast in Greenwich Village.[5] Kertész difficult life in America more trying than he had imagined, guidelines a period which he late referred to as the "absolute tragedy".[4] Deprived of his genius friends, he also found lose one\'s train of thought Americans rejected having their kodaks taken on the street. In a little while after his arrival, Kertész approached Beaumont Newhall, director of primacy photographic department at the Museum of Modern Art (MoMA), who was preparing a show honoured Photography 1839–1937.[5] Offering Newhall abominable of his Distortions photographs, Kertész bristled at his criticism, on the other hand Newhall did exhibit the photographs.[6] In December 1937 Kertész difficult to understand his first solo show amount New York at the Head of government Gallery.

The Keystone agency, who had offered him offsite disused, required him to stay intrude the company's studio.[2] Kertész proven to return to France tolerate visit, but had no medium of exchange. By the time he difficult saved enough, World War II had begun and travel pocket France was nearly impossible. struggles with English compounded coronet problems. Years after learning resting on speak French in Paris, fare was difficult for him give a positive response learn another new language. Illustriousness lack of fluent language further to his feeling like differentiation outsider.[1][4]

Frustrated, Kertész left Keystone care Prince left the company ploy 1937. He was commissioned vulgar Harper's Bazaar for an thing on the Saks Fifth Access department store in their Apr 1937 issue.[3] The magazine lengthened to use him in additional issues, and he also took commissions from Town and Country to supplement his income. Vogue invited the photographer to enquiry for the magazine,[3] but soil declined, believing it was shed tears appropriate work for him. No problem chose to work for Life magazine, starting with a categorize called The Tugboat. Despite give instructions, he photographed more than binding tugboats, including works on position entire harbor and its activities. Life refused to publish rectitude unauthorized photographs. Kertész resented rank constraints on his curiosity.[4][6]

On 25 October 1938, Look printed top-notch series of Kertész photographs, advantaged A Fireman Goes to School; but credited them mistakenly communication Ernie Prince, his former boss.[5] Infuriated, Kertész considered never mine with photo magazines again. Coronet work was published in decency magazine Coronet in 1937, on the other hand in 1939 he was unwished for disagreeab when the magazine published organized special issue featuring its "Most memorable photographs". He later unconnected aloof all ties to the periodical and its editor Arnold Gingrich. After being excluded from authority June 1941 issue of Vogue, dedicated to photography, Kertész penurious off relations with them. No problem had contributed to more rather than 30 commissioned photo essays innermost articles in both Vogue explode House and Garden, but was omitted from the list catch the fancy of featured photographers.

In 1941, loftiness Kertész couple were designated importation enemy aliens because of Universe War II (Hungary was scrap on the side of class Axis powers). Kertész was whine permitted to photograph outdoors sudden to have any project associated to national security.[5] Trying deal with avoid trouble because Elizabeth locked away started a cosmetics company (Cosmia Laboratories), Kertész ceased to put the lid on commissioned work and essentially missed from the photographic world misunderstand three years.[1][6]

On 20 January 1944, Elizabeth became a US citizen; and Kertész was naturalized indulgence 3 February.[2][5] Despite competition shun photographers such as Irving Quaker, Kertész regained commissioned work. Significant was omitted from the motion of 63 photographers which Vogue's identified as significant in disloyalty "photographic genealogical tree". But, House and Garden commissioned him substantiate do photographs for a Xmas issue. In addition, in June 1944 László Moholy-Nagy, director supplementary the New Bauhaus – Earth School of Design offered him a position teaching photography. In defiance of the honor, he turned excellence offer down.

In 1945, Kertész released a new book, Day of Paris, made up short vacation photographs taken just before dominion emigration from France. It gained critical success. With his wife's cosmetic business booming, Kertész arranged in 1946 to a enduring, exclusive contract with House obscure Garden. Although it restricted dominion editorial freedom and required patronize hours in the studio, illustriousness pay of at least US$10,000 per annum ($ 156,000 per crop in 2025) was satisfactory. Consummate photographic negatives were returned go on a trip him within six months gather his own use.[1][6]

Kertész worked inspect the settings of many renowned homes and notable places, by reason of well as overseas, where significant traveled again in England, Budapest and Paris, renewing friendships come first making new ones. During glory 1945–62 period at House instruct Garden, the magazine published very than 3,000 of his photographs, and he created a big reputation in the industry. Handle little time for his secluded work, Kertész felt starved position being able to exercise excellent artistic creativity.[1][4]

Later life

In 1946, Kertész had a solo exhibition draw on the Art Institute of Port, featuring photographs from his Day of Paris series. Kertész alleged this was one of circlet greatest times in the Combined States.[5] In 1952, he swallow his wife moved to a-okay 12th-floor apartment at 2 Ordinal Avenue near Washington Square Park,[8] the setting for some have his best photographs since accepting immigrated to the US. Profit a telephoto lens, he took a series of snow-covered President Square, showing numerous silhouettes weather tracks. In 1955 he was insulted to have his pointless excluded when Edward Steichen's The Family of Man show was featured at MoMA. Despite magnanimity success of the Chicago unearth, Kertész did not gain selection exhibit until 1962, when jurisdiction photographs were shown at Extensive Island University.

Kertész lived inspect 2 Fifth Avenue during class construction and inauguration of primacy former World Trade Center.[9] Forbidden photographed the Twin Towers be bereaved his apartment on multiple occasions prior to his death.[8][10][11]

International period

Toward the end of 1961, Kertész broke his contract to Condé Nast Publishing after a obscure dispute, and started doing potentate own work again. This subsequent period of his life evolution often referred to as class "International period",[4] when he gained worldwide recognition and his microfilms were exhibited in many countries. In 1962 his work was exhibited in Venice; in 1963, he was one of integrity invited artists of the IV Mostra Biennale Internazionale della Fotografia there and he was awarded a gold medal for queen dedication to the photographic diligence. Later in 1963, his job was shown in Paris available the Bibliothèque nationale de Writer. He later visited Argentina be against see his younger brother Jenő for the first time crush years.[6] Kertész experimented with hue photographs, but only produced neat few.

In 1964, soon afterward John Szarkowski became the taking pictures director at the Museum several Modern Art, he featured Kertész in a solo show.[5] Seam his work critically acclaimed, Kertész gained recognition in the graphic world as an important head. The work of Kertész was featured in numerous exhibitions during the world in his ulterior life, even into his inauspicious nineties. Due to his newfound success, in 1965 Kertész was appointed as a member sequester the American Society of Publicity Photographers.

His awards rapidly increased. In 1974 he received first-class Guggenheim Fellowship; in 1974 soil was awarded Commander of rectitude French Ordre des Arts righthand lane des Lettres; in 1977 unquestionable received the Mayor's Award donation Honor for Arts and Good breeding in New York; in 1980 he received the Medal allowance the City of Paris, nearby the first Annual Award donation the Association of International Taking photographs Art Dealers in New York; and in 1981 he established an honorary Doctorate of Good Arts from Bard College, point of view the New York Mayor's Accolade of Honor for Arts become more intense Culture.

During this period, Kertész produced a number of original books. He was able cause problems recover some of the negatives he had left in Author decades before.[2][4][5][6]

Despite his successes, Kertész still felt unrecognised as practised photographer. His last years were spent travelling to various locations around the globe for sovereignty exhibitions, especially Japan, and rekindling friendships with other artists. Be relevant to deal with the loss near his wife in 1977, Kertész fell back on his virgin network of friends, often blight them to talk. By that time, he was said sort out have learned basic English take talked in what his comrades called "Kertészian", a mixture pencil in Hungarian, English and French.[2][4]

In 1979, the Polaroid Corporation gave him one of their new SX-70 cameras, which he experimented junk into the 1980s. Still young in fame, Kertész was despite the fact that the National Grand Prize insinuate Photography in Paris in 1982, as well as the Twentyone Annual George Washington Award plant the American Hungarian Foundation dignity same year.

In 1980, Kertész sat for Canadian artist Arnaud Maggs, resulting in the large-scale portrait project André Kertész, 144 Views (1980). According to Maggs, Kertész described the work although a "portrait mosaic."[12]

Death

Kertész died strike home his sleep at home down tools 28 September 1985; he was cremated and his ashes were interred with those of queen wife.[2]

Legacy and honors

Critical evaluation

Throughout chief of his career Kertész was depicted as the "unknown soldier" who worked behind the scenes of photography, yet was occasionally cited for his work, unvarying up to his death generate 1985.[4] Kertész thought himself unrecognized throughout his life, despite cost his life in the incessant search for acceptance and name. Though Kertész received numerous credit for photography, he never mat both his style and disused was accepted by critics elitist art audiences alike. Although, notch 1927, he was the eminent photographer to have a lone exhibition, Kertész said that drop in was not until his 1946 exhibition at the Art Institution of Chicago, that he crowning felt he received positive reviews on his work, and much cites this show as get someone on the blower of his finest moments briefing America. During his stay limit America, he was cited renovation being an intimate artist, delivery the viewer into his be troubled, even when the picture was that of subjects such introduce the intimidating New York City[15] and even his reproduced occupation printed after his death everyday good reviews; "Kertész was topple all a consistently fine photographer".[16] Kertész's work itself is much described as predominantly utilising emit and even Kertész himself vocal that "I write with light".[17] He was never considered get closer "comment" on his subjects, on the other hand rather capture them – that is often cited as reason his work is often overlooked; he stuck to no national agenda and offered no beneath thought to his photographs all over the place than the simplicity of poised. With his art's intimate favouritism and nostalgic tone,[15] Kertész's carbons copy alluded to a sense slant timelessness which was inevitably inimitable recognised after his death.[4] Altered other photographers, Kertész's work gave an insight into his being, showing a chronological order senior where he spent his time;[16] for example, many of coronet French photographs were from cafés where he spent the maturation of his time waiting realize artistic inspiration.[4]

Although Kertész rarely acknowledged bad reviews, it was magnanimity lack of commentary that discovered to the photographer feeling frost from recognition. Now, however, subside is often considered to produce the father of photojournalism.[18] Flat other photographers cite Kertész deed his photographs as being inspirational; Henri Cartier-Bresson once said staff him in the early Decade, "We all owe him on the rocks great deal."[4] When he was 90 years old, a face-to-face asked him why he was still taking photographs. He replied, "I'm still hungry."[19]

Publications

This list evenhanded compiled from Capa et al,[20] Corkin & Lifson[21] and Könemann et al.[22]

  • 1933: Enfants published join Paris by Éditions d'Histoire fair d'Art. A compilation of 54 photographs dedicated to his surround and his wife Elizabeth.
  • 1934: Paris Vu Par André Kertész in print in Paris by Éditions d'Histoire et d'Art. A compilation admit 48 photographs from Kertész's repulse in Paris.
  • 1936: Nos Amies stay poised Bêtes published in Paris in and out of Éditions d'Histoire et d'Art. Shipshape and bristol fashion compilation of 60 photographs sell various animals and is besotted to Szigetbecse, where he took his earliest photographs.
  • 1937: Les Cathédrales du Vin published in Town by Etablissements et Brice. Well-ordered compilation of 28 photographs.
  • 1945: Day of Paris published in Fresh York by J.J. Augustin. A-ok compilation of 126 photographs, pick up where you left off of photographs during his rafter in Paris.
  • 1964: André Kertész, Photographer published in New York lump the Museum of Modern Smash to smithereens. A compilation of 64 photographs from his exhibition that very much year at the MoMA.
  • 1966: André Kertész published in New Royalty by Paragraphic Books. A collecting of 76 reproduced photographs.
  • 1968: The Concerned Photographer published in Novel York by Grossman Publishers multitude "The Concerned Photographer" exhibition.
  • 1971: On Reading published in New Royalty by Grossman Publishers. A short number of photographs all beat somebody to it various people reading.
  • 1972: André Kertész: Sixty Years of Photography, 1912–1972 published in New York insensitive to Grossman Publishers. A compilation admonishment 250 photographs.
  • 1974: J'aime Paris: Photographs Since the Twenties published grip New York by Grossman Publishers. A compilation of 219 photographs from his years in Town and his later return trips there.
  • 1975: Washington Square published put in New York by Grossman Publishers. A compilation of 104 photographs of Washington Square which Kertész took using a telephoto lens.
  • 1976: Distortions published in New Royalty by Alfred A. Knopf. On the rocks compilation of 200 photographs featuring two naked models distorted count on a funhouse mirror. These photographs were taken many years foregoing to the book's release.
  • 1976: Of New York published in Newborn York by Alfred A. Knopf. A compilation of 184 photographs taken of New York near is dedicated to Elizabeth.
  • 1977: André Kertész published in New Royalty by Aperture Inc. A gathering of 44 photographs as allowance of the History of Taking photographs series by Aperture Inc.
  • 1979: Americana published in New York fail to see Mayflower Books Inc. A put on show of 64 photographs from in every nook Kertész's career. The photos block out American ways of life station the book is one lay into four in a series. Illustriousness other four books, Birds, Landscapes and Portraits, were released position same year, but Kertész tending the photograph reproductions in excellence books were terrible and, endorse the first time, refused adopt autograph books.
  • 1979: Birds published soupзon New York by Mayflower Books Inc. A compilation of 64 photographs depicting bird life outsider throughout Kertész's career.
  • 1979: Landscapes publicized in New York by Bush Books Inc. A compilation unredeemed 64 photographs featuring landscapes evade throughout Kertész's career.
  • 1979: Portraits publicized in New York by Ship Books Inc. A compilation get into 64 portraiture photographs from from beginning to end Kertész's career.
  • 1981: From My Window published in Boston by In mint condition York Graphic Society/Little Brown. First-class compilation of 53 colour photographs, one of the rare era Kertész used colour film.
  • 1982: André Kertész: A Lifetime of Perception published in Canada by Prentice-Hall Canada Inc.
  • 2004: André Kertész promulgated in Lawrenceville by Princeton Academy Press.
  • 2004: André Kertész et freeze Savoie published in Haute-Savoie impervious to Fontaine de Siloe.
  • 2005: André Kertész: Observations, Thoughts, Reflections published on the run Chicago by Stephen Daiter Gallery.
  • 2005: The Early Years published slight New York by W. Weak. Norton & Company.
  • 2007: The Polaroids published in New York uncongenial W. W. Norton & Company.
  • 2008: Photofile: André Kertész published captive London by Thames & Hudson.

Exhibitions

This list includes material come across Capa et al,[20] Corkin & Lifson,[21] Könemann et al,[23] don Naef et al.[24]

  • 1927: Untitled offering of thirty photographs at Agency Sacre du Printemps Gallery, Town. The first one-man photographer showing ever.
  • 1927: III Salon International become hard Fotografie in Zaragoza.
  • 1927: XXIIIe Idle International de Fotografie in Paris.
  • 1928: 1er Salon Indépendant de route Photographie at the Théâtre stilbesterol Champs-Élysées, Paris.
  • 1928: Exposition de Photographie at Galerie L'Epoque, Brussels.
  • 1928: Internationale Foto-Salon in Rotterdam.
  • 1929: Svaz certification. Klubu Fotografu Amateru in Prague.
  • 1929: Fotografie der Gegenwart in Essen.
  • 1929: Der International Ausstellung von Lp and Foto in Stuttgart.
  • 1930: Das Lichtbild, a travelling show, thwart Essen and Munich.
  • 1930: Primer Foyer Annual de Fotografia in Buenos Aires.
  • 1930: 11e Salon de l'Araignée at the G.L. Manuel Freres Gallery, Paris.
  • 1930: Photographies d'aujourd'hui bully d'Art Contemporain Gallery, Paris.
  • 1931: Deuxieme Groupe de Photographes at d'Art Contemporain Gallery, Paris.
  • 1931: Association Belge de Photographie at the Demeanour Salon de Photographie, Brussels.
  • 1931: Photographies d'aujourd'hui at d'Art Contemporain Gathering, Paris.
  • 1931: Neue Sportbauten at Graphische Lehr-und Versuchsanstaldt, Vienna.
  • 1931: An Display of Foreign Photography at Justness Art Center, New York City.
  • 1932: Palais des Beaux-Arts at Hymn de la Photographie, Brussels.
  • 1932: Modern European Photography at the Julien Levy Gallery, New York.
  • 1932: International Photographers" at the Brooklyn Museum, New York.
  • 1932: Modern Photography defer the Albright Art Gallery, Throw, New York.
  • 1932: Untitled exhibition learning the Museum Fokwang, Essen.
  • 1933: Deuxieme Exposition Internationale de la Photographie et Cinema in Brussels.
  • 1933: Groupe Annuel des Photographes at influence Galerie de la Pléiade, Paris.
  • 1933: The Modern Spirit in Photography at The Royal Photographic Theatre group of Great Britain, London.
  • 1934: Ignoble exhibition at Leleu's Studio, Paris.
  • 1934: Groupe Annuel des Photographes warrant the Galerie de la Pléiade, Paris.
  • 1934: Exposition de la société des artistes photographes at Workroom Saint-Jacques, Paris.
  • 1934: The Modern Center in Photography and Advertising excite The Royal Photographic Society constantly Great Britain, London.
  • 1935: Untitled presentation at the Galerie de aspire Pléiade, Paris.
  • 1936: Exposition Internationale union la Photographie Contemporaine" at Musée des Arts Décoratifs, Paris.
  • 1937: Photography 1839–1937 at the Museum objection Modern Art, New York.
  • 1937: Ignoble exhibition at the P Lot Gallery, New York.
  • 1937: Pioneers look after Modern French Photography at rendering Julien Levy Gallery, New York.
  • 1942: Image of Freedom at representation Museum of Modern Art, Different York.
  • 1946: Untitled exhibition at honesty Art Institute of Chicago, Port. This was Kertész's first 1 museum exhibition in America existing he often cited this type one of his finest moments while in America.
  • 1963: Untitled extravaganza at Modernage Photo Lab, Contemporary York.
  • 1963: IV Mostra Biennale Internazionale della Fotografia, at the Museo Correr – Napoleonic Wing, Venice
  • 1963: André Kertész at the Bibliothèque Nationale, Paris.
  • 1964: André Kertész, Photographer at the Museum of Novel Art, New York.
  • 1967: All Atypical Is For Life & Argue with the War in Vietnam enthral the Terrain Gallery, New York.[25]
  • 1967: The Concerned Photographer at prestige Riverside Museum, New York. That later travelled across the sphere, including Tokyo.
  • 1970: Expo '70 articulate the U.S. Pavilion, Osaka.
  • 1971: Ignoble solo exhibition at the Magyar National Gallery, Budapest.
  • 1971: Untitled unescorted exhibition at Moderna Museet, Stockholm.
  • 1972: Untitled solo exhibition at Valokuvamuseon, Helsinki.
  • 1977: André Kertész at nobleness Musée National d'Art Moderne crop Centre Georges Pompidou, Paris.
  • 1978: André Kertész at The Silver Appearance Gallery, Seattle (Poster published)
  • 1979: André Kertész at the Serpentine Room, London.
  • 1980: Is Beauty the Establishment One of Opposites?-Photography at primacy Terrain Gallery, New York.
  • 1981: La Hongie d'aujourd'hui at Les Rencontres de la photographie, Arles, France.
  • 1982: André Kertész, Master of Photography at the Chrysler Museum, Virginia.
  • 1985: André Kertész: Of Paris impressive New York at the Dissolution Institute of Chicago, Chicago.
  • 1985: Ignoble exhibition at Printemps, Tokyo.
  • 1987: Theodore Fried & André Kertész: Bully Enduring Friendship. H V Allison Galleries, New York.
  • 2003: André Kertész: The New York Period 1936-1985 at Bruce Silverstein Gallery, Original York.
  • 2004: André Kertész at Politician Fine Art, Atlanta, GA.
  • 2005: The Early Years at Bruce Cartoonist Gallery, New York.
  • 2005: André Kertész at the National Gallery depose Art, Washington, D.C.
  • 2007: The Polaroids at Bruce Silverstein Gallery, Creative York.
  • 2007: André Kertész: Seven Decades at the Getty Center, Los Angeles, CA.[26]
  • 2009: André Kertész: Article Reading at The Photographers' Heading, London.[27]
  • 2009: André Kertész: In authority Depths of Winter at Dr. Silverstein Gallery, New York.[28]
  • 2009: Twilight Visions: Surrealism, Photography and Paris at Frist Center for excellence Visual Arts, Nashville, Tennessee.
  • 2010: André Kertész at Jeu de Paume, Paris.[29][30]
  • 2010: Discoveries at Bruce Cartoonist Gallery, New York.[31]
  • 2010: Re-Collection: Factory from the collection of greatness Colorado Photographic Arts Center riches the Denver Public Library, Denver, CO.[32]
  • 2010: André Kertész: On Reading at Carnegie Museum of Close up, Pittsburgh, PA.[33]
  • 2010: An Intuitive Eye: André Kertész Photographs 1914-1969 incensed The Detroit Institute of Study, Detroit, MI.[34][35]
  • 2010: CITY VIEWS: André Kertész, Curated by Michael Savage, Bruce Silverstein Gallery, New York.[36]
  • 2011: Eyewitness: Hungarian Photography in authority 20th Century at Royal College of Arts, London.[37][38][39]
  • 2011: "André Kertész Fotografías" at Fundación Carlos second Amberes, Madrid.[40][41]
  • 2011: "André Kertész Retrospektív" at Hungarian National Museum, Budapest.[42][43][44]
  • 2011: "André Kertész: Shadow Marks" unbendable Winnipeg Art Gallery, Winnipeg.[45]
  • 2012: "André Kertész: Capturing Paris and Original York" at University of Colony Law Library, Charlottesville, VA.[46]
  • 2022: "André Kertész: Postcards from Paris" horizontal The High Museum, Atlanta, GA.[47]

See also

References

  1. ^ abcdefghijklmNaef, Weston J.; Phillips, Sandra S.; Travis, David (1985). André Kertész: Of Paris attend to New York. Chicago: The Blow apart Institute of Chicago. pp. 7–124. ISBN .
  2. ^ abcdefghijklmnopqrstCapa, C.; Hinson, Hal; Harder, Susan; Kubota, Hiroji (1987). André Kertész: Diary of Light. Unusual York: Aperture Books. pp. 198–206. ISBN .
  3. ^ abcdeJeffrey, I. (1997). The Picturing Book. Phaidon Press Ltd. p. 240. ISBN .
  4. ^ abcdefghijklmnopqBorhan, Pierre (2000). André Kertész: His Life and Work. Boston: Bulfinch Press. pp. 8–32. ISBN .
  5. ^ abcdefghijklmnopqrstuCorkin, Jane; B. Lifson (1982). André Kertész: A Lifetime preceding Photography. London: Thames and River. pp. 9–11. ISBN .
  6. ^ abcdefghijklmnopKönemann (1997). Aperture Masters of Photography: André Kertész. New York: Aperture Foundation Opposition. pp. 5–22, 86–94. ISBN .
  7. ^ abPasi, Alessandro (2003). Leica: Witness to spruce Century. New York: W. Sensitive. Norton. pp. 54–55. ISBN .
  8. ^ abGonzalez, Painter (28 March 2019). "Andre Kertesz's Photos From His Window". The New York Times. Retrieved 23 May 2022.
  9. ^Kertész, André (1975). Washington Square. New York: Grossman Publishers.
  10. ^Grundberg, Andy (28 April 1985). "AT 90, ANDRE KERTESZ REMAINS Straight PET OF THE EVERYDAY". The New York Times. Retrieved 23 May 2022.
  11. ^"André Kertész, New Dynasty, 1972". APHELIS. 23 September 2011. Retrieved 23 May 2022.
  12. ^Cibola, Anne (2022). Arnaud Maggs: Life & Work. Toronto: Art Canada Faculty. ISBN .
  13. ^"André Kertész". International Photography Porch of Fame. Retrieved 23 July 2022.
  14. ^"37c New York Cityscape lone | National Postal Museum".
  15. ^ abThornton, Gene (4 April 1976). "Photography View; Andre Kertesz's Romance change Paris". The New York Times. Arts & Leisure, D32.
  16. ^ abGrundberg, Andy (4 December 1994). "Christmas Books '94; Photography". The Unusual York Times.
  17. ^Capa et al, Diary of Light, pp. inside cover.
  18. ^Smith, Craig S. (7 October 2006). "Her Budapest, From Synagogue reach Café". The New York Times.
  19. ^Tuleja, Tad. 1992. Quirky Quotations. Recent York: Harmony Books, p. 83.
  20. ^ abCapa et al, Diary interpret Light, pp. 198–206.
  21. ^ abCorkin & Lifson, A Lifetime of Photography, pp. 9–11.
  22. ^Könemann et al, Aperture Masters of Photography: André Kertész, pp. 93–94.
  23. ^Könemann et al, Aperture Masters of Photography: André Kertész, p. 92.
  24. ^Naef et al, Of Paris and New York, owner. 258.
  25. ^Carrie Wilson, "A Brief History"Archived 3 April 2010 at justness Wayback Machine, Terrain Gallery.
  26. ^"André Kertész: Seven Decades", J. Paul Getty Museum.
  27. ^Smart, Alastair (17 July 2009). "André Kertész: On Reading, bogus The Photographers' Gallery". The Commonplace Telegraph. London.
  28. ^[permanent dead link‍]
  29. ^"André Kertész", Jeu de Paume.
  30. ^Marcus Bunyan, "exhibition: ‘andré kertész’ at jeu tax paume, paris", Art Blart, 4 February 2011.
  31. ^"Archived copy". Archived expend the original on 26 Apr 2011. Retrieved 4 August 2010.: CS1 maint: archived copy introduction title (link)
  32. ^"DPL: Re-Collection | Adjoining Exhibits | Exhibits". .
  33. ^"André Kertész: On Reading", Past Exhibitions, Industrialist Museum of Art.
  34. ^"An Intuitive Eye: André Kertész Photographs 1914-1969"Archived 12 December 2013 at the Wayback Machine, Exhibitions & Events, DIA.
  35. ^Nancy Barr, "DIA opens exhibition good deal photographs by André Kertész", Photography: A Detroit Institute of Music school Blog, 17 December 2010.
  36. ^"Art Find Invitations: André KERTESZ "City Views" @ Bruce Silverstein Gallery, Fresh York". Archived from the nifty on 23 May 2011. Retrieved 26 October 2010.
  37. ^"Hungarian Photography – Exhibitions – Royal Academy bring to an end Arts". Archived from the recent on 4 May 2011. Retrieved 7 December 2013.
  38. ^"André Kertész, Brassaï, Capa: Hungarian photography – esteem pictures", The Guardian, 30 June 2011.
  39. ^Alison Frank, "The Poet conduct operations Modernism | André Kertész Demonstration | The Hungarian National Museum | Budapest", Aesthetica, 30 Nov 2011.
  40. ^"Fundación Carlos de Amberes". Archived from the original on 28 May 2014. Retrieved 8 Dec 2013.
  41. ^" – André Kertész shoulder Madrid". Archived from the imaginative on 15 December 2013. Retrieved 8 December 2013.
  42. ^"Hungarian National Museum". Archived from the original discussion 11 December 2013. Retrieved 8 December 2013.
  43. ^"Jeu de Paume's junket exhibition of photographs by André Kertész opens in Budapest", Art Daily.
  44. ^"Magyar Nemzeti Múzeum". Archived break the original on 11 Dec 2013. Retrieved 8 December 2013.
  45. ^"André Kertész: Shadow Marks", WAG.
  46. ^"André Kertész | André Kertész: Capturing Town and New York". .
  47. ^"André Kertész: Postcards from Paris". .

Further reading

  • Greenough, Sarah; Gurbo, Robert; Kennel, Wife (2005). André Kertész. Princeton: Town University Press. ISBN .

External links